The 1960’s was a good decade for Minnesota sports. Anthony Falls Lock and Dam to a world class destination and visitor center. Promoting the art of film as a medium that fosters cross-cultural understanding, education, entertainment, and exploration.Įnhancing the Minneapolis riverfront environment-for people and pollinators. Maximizing the visitor experience of Minneapolis for the economic benefit of our community, making Minneapolis the destination of choice among travelers. We preserve and share the diverse stories of Hennepin County, MN. Hennepin History Museum is your history, your museum. With over 100 local farmers, food makers and artists, MCFM strives to build a local, sustainable and organic food economy in a vibrant, educational marketplace. All-Star Wrestling at its peak, earned a 25 rating and a 64 share.Thanks to our community partners, whose support makes Mill City Times possible: Paul, Minnesota (behind only 60 Minutes). By 1979, production was transferred to Minneapolis station KMSP-TV.Īccording to AWA wrestler (and son of AWA promoter Verne Gagne) Greg Gagne on the Spectacular Legacy of the AWA DVD, AWA All-Star Wrestling was the second highest rated program in St. Throughout the 1960s and 1970s, the AWA's television production was headquartered at Minneapolis independent station WTCN-TV, then owned by Metromedia. Taping the interviews well in advance wasn't much of a problem, as most matches (and most results) were already known weeks or months in advance. This would continue throughout the 60–90 minutes and include as many of the wrestlers appearing at the upcoming house show as possible, as well as other well-known wrestlers in the AWA who might be appearing in the near future.įor wrestlers who could not appear in Minneapolis on the date the taping was produced, footage of one of their old squash matches would be spliced in, and the wrestlers might do the interview for the house show weeks before the actual house show. After each interview, the viewer would be reminded of the date, time, and location of the house show. Afterwards, the aforementioned opponent would appear in his own squash match, followed by his interview. The wrestler would next appear in an interview and promise to vanquish his opponent. The early shows followed a standard format: As previously mentioned, there would be a squash match featuring a wrestler appearing at the upcoming house show. The program was called Verne Gagne's All Star Wrestling to avoid confusion with the former Pro Wrestling USA label afterwards. The March 9, 1986, edition of AWA All Star Wrestling featured a new show opening, with a change from the "old time" grainy open which was similar to the The show was referred to as Pro Wrestling USA: All-Star Wrestling beginning with the January 26, 1985, edition and was called so until early 1986. The shows throughout the 1960s-on through the early 1970s were shot in black and white. The shows usually aired on Saturday or Sunday mornings (when TV time was relatively inexpensive). The AWA bought 60 or 90 minute time slots each week at the TV stations. In the meantime, editors would splice together the appropriate interview and wrestling footage for each individual house show and send the canned one-hour production to the TV stations in the respective market. These interviews were tailored to whatever opponents they were scheduled to meet at the various house shows during the coming two weeks. Then, they would do as many different interviews as were needed. They would wrestle jobbers (wrestlers who constantly lose) in squash matches (one-sided victories) that seldom lasted for more than a few minutes each. In the early 1970s, as wrestling became more popular, national companies such as McDonald's and local companies such as car dealerships bought commercial spots on the shows.Įvery two weeks, many of the wrestlers who were currently working the house shows for the AWA would assemble at a studio in Minneapolis, Minnesota. This meant that third party advertisers were almost nonexistent. Overview In relation to upcoming house shows ĭuring the 1960s and early 1970s, the All-Star Wrestling television series was essentially a one-hour paid advertisement for the AWA's house shows. All-Star Wrestling footage (and AWA footage as a whole) is now owned by World Wrestling Entertainment. For all other uses of "All Star Wrestling", see All Star Wrestling (disambiguation).ĪWA All-Star Wrestling was a syndicated television series featuring wrestling matches as promoted by the American Wrestling Association (AWA).
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